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The Shield of Achilles and the Poetics of Ekphrasis, by Andrew Sprague Becker
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In 'The Shield of Achilles and the Poetics of Ekphrasis', Becker explores how Homeric poetry shapes its own reception: how Homer's reaction to a visual image creates his audience's response to a literary description. Becker also enters into a fiercely raging literary debate about the modernist, self-conscious elements of Homeric narrative.
- Sales Rank: #2410224 in Books
- Published on: 1995-03-21
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .59" w x 5.78" l, .68 pounds
- Binding: Paperback
- 200 pages
Review
. . . fresh and illuminating. . . A fine book, not only for classicists, but for anyone interested in the relation between language and other forms of aesthetic experience. (James Boyd White, The University of Michigan)
. . . wonderful insight . . . With splendid attention to adjectives, participles, case endings and verb tenses . . . In a fine formulation . . . Becker . . . offers an important study about other dimensions of Homeric poetics, teaching us about complementary qualities of Homeric narrative. (New England Classical Journal)
His distinctions are helpful, his explanations thorough and careful, and his style refreshingly clear. Homerists and others will profit a good deal from reading this book. (Mark W. Edwards, Emeritus Professor of Classics, Stanford University)
Becker offers a nuanced lesson in reading. Scholars and students alike will profit. (Helen E. Moritz, Santa Clara University Religious Studies Review)
Becker's style is lucid, clear, valid, and helpful. (Irene J.F. deJong De Novis Libris Iudicia)
Becker thus provides a welcome challenge to the idea that a description should provide a transparent window onto its referent, never drawing attention to its own textuality . . . Becker's model could usefully be applied to other ekphraseis of works of art in which the focus constantly shifts between the surfaces of the work, the subject matter and the viewer's response. (Ruth Webb Bryn Mawr Classical Review)
Readers of this volume will learn much about how ekphrasis functions as a poetical device because its author skillfully reveals the processes by which verbal may represent visual art. This patient, elaborate and intelligent grammar of illusion and meditation is a major contribution to aesthetic theory and to the history of the sister arts. (Canadian Review Of Comparative Literature)
About the Author
Andrew Sprague Becker is associate professor of ancient Greek and Latin literature at Virginia Polytechnic Insitute and State University in Blacksburg, Virginia.
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